Okinawa-kenpo is a karate style which has been developed based on ancient Okinawan martial arts called "Ti". Its technique and thought were studied and refined by a Tomari-te master, Shinkichi Kuniyoshi (also known as "BUSHI" Kuniyoshi) and passed down to Grand Master Shigeru Nakamura, the founder of Okinawa-kenpo. Grand Master Nakamura opened his own dojo "Okinawa-kenpo Karate-do Shurenjo" at Onaka, Nago city and taught his art of karate.
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"Okinawa-kenpo" was founded by Grand Master Shigeru Nakamura in 1960 as an association of diverse dojos based on his belief "there is no Ryuha in Okinawa karate".
Participation to a competition in Kyushu as "The All Japan karate-do Federation, Okinawa District" was how it all started. Nakamura felt how strong Japanese karate organization was at the competition and worried about the future of Okinawa karate.
Then, he appealed to all karate-ka in Okinawa for participating to the movement of "Okinawa-kenpo".

Upper row (left to right): 2nd from left, Komei Tsuha,Hiroshi Miyazato, Toshimitsu Kina
Bottom row (left to right): 2nd from left, Shigeru Nakamura, Shinsuke Kaneshima, Zenryo Shimabukuro

Upper row (left to right): (3rd from left) Kamaichi Nohara, Shinei Kaneshima, Tatsuo Shimabuku, (10th from left) Masami Chinen, Zenryo Shimabukuro
Middle row (left to right): (3rd from left) Shinei Kyan, Shosei Kina, Shinsuke Kaneshima, Seitoku Higa, (8th from left) Seiyu Nakasone, Kenko Nakaima
Bottom row (left to right): Hiroshi Miyazato, Komei Tsuha, (9th from left) Shigeru Nakamura, Joen Nakazato
In June 17, 1961, karate masters from all over Okinawa gathered at Yashio-so, Naha city. At this meeting, they had a discussion about the unification of Okinawa karate and finally came to endorse it (Establishing of Okinawa Kobudo Kyokai).
After Nakamura's passing, the group fell apart. However, Okinawa karate advanced to an era of great development.
Each karate style goes on its own way, and Okinawa-kenpo has become the name of the style which was taught and practiced by the students of Grand Master Nakamura.
Various Ryuha participated in the movement of "Okinawa-kenpo".
Mostly, they were from "The All Japan karate-do Federation, Okinawa District" and "Okinawa Kobudo Kyokai". Exchange of techniques was widely performed among them.
After the death of Nakamura, Okinawa-kenpo was divided into several groups.
Each group inherited Nakamura's will and techniques and developed Okinawa-kenpo in their own way.

Bottom row, 3rd from left, Grand master Shigeru Nakamura, Shihan-dai Hiroshi Miyazatoo, Toshimitsu Kina
Old style karate techniques and training methods still remain in our system. We train with those methods, which are rarely seen in other Ryuha these days.
Tanren-hou (Training method)
Okinawa-sumo (traditional Okinawan wrestling)
Torite (grabbing)
Buki-jutsu (weapons)
Our techniques, from empty hands to weapons,are incorporated in a coherent system and consist of common basic skills.
Historically, Okinawa-kenpo inherited various Kata.
The following is a list of kata which are practiced at Okinawa-kenpo Karate-do, Oki-ken-kai
Karate
Weapons
Near-future Tokyo, 2097, where cutting-edge technology and ancient mysteries collide. The story unfolds across the neon-lit streets of the Shinkai District and the eerie depths of the Nihonjin-cho underground museum, recently expanded to house artifacts from a freshly unearthed Egyptian tomb. Act 1: The Awakening Dr. Aiko Tanaka, a bio-archaeologist specializing in lost DNA sequences, stumbles upon a sealed chamber in the museum’s newly excavated annex. The tomb, marked with the sigil of Ammit (the Devourer of Souls), holds a mummy unlike any other: Sekhemtawy , a pharaoh’s vizier said to have been cursed for defying the gods. Aiko’s team activates a quantum resonance scanner to study the mummy, unaware that the device is calibrated to their corporate sponsor’s experimental time-anchoring tech.
Moved, Sekhemtawy’s sand dissolves into harmless dust, and the vortex stabilizes. As the world returns to normal, Aiko places Neferet’s nameplate atop the museum’s new exhibit, honoring the truth history buried. But as she walks away, the camera lingers on a single sand grain, glowing faintly… In the depths of the desert, an excavation team drills through rock to unearth a second tomb—marked with Sekhemtawy’s sigil. The drill cuts out. The screen fades as a whisper echoes: “Not all who sleep in the sands wish to be awakened.” Themes : The cost of progress, the weight of forgotten histories, and the duality of memory as both curse and salvation. Lsm 13 09 Full Mummy Edit Avi--------
Let me start by assuming it's an anime episode. The title might mean the 9th episode of the 13th season or series called "LSM" which is about mummies. The user wants a story, so I should create a narrative that fits within that episode. Aiko Tanaka, a bio-archaeologist specializing in lost DNA
I should establish the setting. Maybe a futuristic city with a hidden connection to ancient Egypt. The main character could be an archaeologist or someone with a personal connection to the past. Introduce some conflict, like the mummies coming to life due to a scientific experiment or a cursed artifact. Moved, Sekhemtawy’s sand dissolves into harmless dust, and
As the scanner pulses, the air grows heavy. The mummy’s bandages unravel, revealing glowing hieroglyphs that project a hologram—a warning from Sekhemtawy: “He who disrespects the sands will be devoured by time.” Suddenly, the museum trembles. Statues shatter, and the mummy’s sarcophagus cracks open, releasing a spectral sandstorm that engulfs the room. Aiko and her team escape, but the city’s AI defense grid malfunctions, revealing a chilling truth: the sand is alive, a swarm of nano-sand particles controlled by Sekhemtawy’s consciousness. The mummy’s spirit, awakened by the quantum scan, seeks vengeance for his eternal suffering. The media dubs him “The Full Mummy” (a term blending Egyptian “pharaoh” and cybernetic “update”), and panic erupts as the sand spreads, corrupting power grids and consuming buildings.
Also, consider character development. The protagonist might learn something about themselves or their heritage. The story should balance action with emotional moments. Maybe add some dialogue to make it engaging. Make sure to tie up loose ends by the end of the story so it's a complete narrative within the episode framework.
Aiko learns from ancient texts that Sekhemtawy was betrayed by his king, mummified alive as a “full” sacrifice. To stop him, she must retrace his final days— literally . Using the resonator, she and her ally, Kaito, a rogue time-hopper with a glitchy neural link, leap into Sekhemtawy’s memories: a surreal vision of 1230 BCE Thebes, where the vizier’s loyalty was exploited, and his lover, a priestess named Neferet, was sacrificed to Ammit along with him. In the climax, Aiko and Kaito confront Sekhemtawy’s spirit in a time-vortex—a collapsing blend of ancient Egypt and cybernetic Tokyo. The mummy, now a colossal figure made of sand and plasma, demands to be “remembered.” Aiko appeals to his humanity, revealing a hidden relic: Neferet’s nameplate, which she had secretly deciphered earlier. The artifact proves she had no role in his betrayal—the king’s treachery was a cover-up for a plague Sekhemtawy unknowingly carried.
We, Okinawa-kenpo Karate-do Oki-Ken-Kai, work on in a unit called "Keiko-kai".
is a group of like-minded people to practice Okinawa-kenpo any time and anywhere.
Today, there are Keiko-kai in eight region Japan;
Shihan Yamashiro visits each Keiko-kai regularly, trains them, and conducts open seminars.



Shihan Yamashiro has been invited by masters of other styles, and conducted seminars regularly.



He started practicing karate when he was little with his father, Tatsuo Yamashiro, who inherited "Ti" from Hiroshi Miyazato.
He won 1st place at "All Okinawa Full Contact Fighting with Bogu Gear Tournament" in 1992 and 1993,
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